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Other neighbors, including the couple across the street and several families living on adjacent blocks, are also quick to share the mysterious story of the house. Indeed, it seems the only people who aren't eager to recount the sordid tale are the home's current owner, Gary Stafford, and the real-estate agent trying to sell the house. So has "The Exorcist," which has terrified and disturbed audiences for decades with the story of the possession of young Regan MacNeil (Linda Blair) and the exorcism by priests Father Merrin (Max von Sydow) and Father Karras (Jason Miller).
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Hunkeler’s exorcism didn’t even take place in the house, but at a hospital in South St. Louis. “When you look at the levels of freedom throughout history, and even around the world today, this is the exception. This freedom is incredibly rare and the journalists in this room help protect that freedom, and we cannot ever take that for granted,” he added.
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For the shoot, an entire fake wing was built on the eastern side of the house. This was done so that Regan’s bedroom window would be close to the stairs situated next to the property, which accommodated for several scenes that were pertinent to the film (I don’t want to give away any spoilers, so I won’t say more). A fake mansard roof was also added to the structure to give the appearance that the home had an attic – something else that was necessary to the plotline. Blatty used a diary kept by one of the exorcists as the basis of his 1971 book, which rode atop best-seller lists for 54 weeks. When Blatty's seminal shocker hit theaters two years later, filmgoers across the nation threw up in the aisles and ran screaming from movie houses. There were also reports of people conducting their own gothic exorcisms, killing several "possessed" victims in the process.
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It was in White-Gravenor Hall in a New Testament class where Blatty first heard of the 1949 exorcism of Maryland boy Roland Doe and that sparked his interest in writing about the possession of Regan. And the infamous fall of Father Karras was influenced by Blatty watching one of his physics classmates take a hospitalizing tumble after trying to steal a final exam. The demon, he says, “gets Karras so angry he makes the ultimate mistake, which is to [goad the devil into taking] himself, not her.” I questioned him on this.
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It's a real home in a real neighborhood and I won't give the address here. I will share the Zillow listing that was made public for the home 4 years ago when it was on the market if you're curious though. The majority of the home was built separate from Regan’s bedroom where the exorcism takes place. Chillingly, the house was no more — but the site of the horrifying religious ritual survived.
The true story behind The Exorcist begins in the late 1940s in suburban Washington, D.C., with a German-American family. Public DomainRoland Doe, the pseudonym of Ronald Hunkeler, the boy whose harrowing exorcism in 1949 later inspired The Exorcist. Only the exterior of the property appeared in The Exorcist. Interiors were part of a vast set constructed at New York’s now defunct Camera Mart studios.
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The accident, it turns out, was caused by a pigeon that flew into a light box. That chaotic scene was what was widely reported to have happened all over the world when “The Exorcist” hit theaters nearly 50 years ago in December 1973. Discovery via Getty ImagesThe stairs inside the St. Louis house once home to “Roland Doe” as seen in 2015. Ronald urinated all over his bed and began shouting and cursing at the priests. They took him to Alexian Brothers Hospital in St. Louis for more serious treatment. All of these details from the true story of The Exorcist made it into the film.
Pope John Paul II asked every diocese to provide an exorcist. The son of another cast member, Jason Miller, was also hit by a motorcyclist on an empty beach and almost died. On set, Friedkin was both god and devil, fighting to get a very challenging shoot completed, but sometimes going to extremes. Regularly and without warning he would shoot off guns to produce startled reactions in the actors. When actress Ellen Burstyn complained that she was getting pulled across the room too hard by special effects supervisor Marcel Vercoutere, Friedkin said he would have it fixed, then instead encouraged Vercoutere to pull her harder.
A stuntman with a wire attached to Burstyn’s waist would then rapidly pull the actress toward the wall. A more treacherous delay happened later at 20th Century Fox’s then-studio on West 54th Street, where a fiery blaze enveloped the MacNeil house set in the early hours of the morning. Actors and crew members perished, a huge fire shut down production for more than a month and star Ellen Burstyn, who returns in the new film as Chris MacNeil, severely injured her back.
Since his wife's death, Victor has raised his daughter Angela alone. After she and her friend return from a three-day disappearance with missing memories, they begin displaying frightening behavior reminiscent of the MacNeil possession fifty years prior. On the fifteenth anniversary of the exorcism that claimed Father Damien Karras' life, Police Lieutenant Kinderman's world is once again shattered when a boy is found decapitated and savagely crucified. MacGowran played Burke Dennings, the film director who is killed by Regan. The Irish thespian died of influenza at age 54 during the London flu epidemic. During the shocking crucifix scene with Linda Blair in bed as the possessed Regan, the disturbed daughter whacks Chris in the face, forcing her backward.
The house at 3600 Prospect Avenue was never used for interior shots − those were all done on a New York City soundstage. Watching the movie probably turned the fear of their own sexuality to terror. "If I masturbate, or if I'm gay, or if have sex with my fiance, or if I even think about it too much, I'm going to get possessed." It's not far from what the Church teaches even now. In researching this article I spoke to a practicing exorcist about current practice in what is now often called the “ministry of healing and deliverance.” He agreed to talk about his work but asked that his name and diocese not be used. And one weekend the set for the MacNeil home caught fire when no one was there, shutting the production down for weeks.
But every day the enormous interest pushed the film to more screens. In 1946, William Peter Blatty was a senior at the Jesuit-run Brooklyn Preparatory School. He was the class valedictorian, but had no thoughts of further education. “I was there on scholarship,” he said in interviews later. “College was out of the question as we couldn’t even afford to pay for the books.” In fact, for years he, his four siblings and his single mother had never lived at the same address for more than a couple months. “Eviction was the order of the day,” he told The Washington Post.
Chris hosts a party with Karras's friend, Father Dyer, who explains Karras's role as counselor and notes his mother's recent death. Regan, seemingly unwell, appears and urinates before Chris comforts her. Regan's bed shakes violently after Chris returns her to it.
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